Archive for December, 2011

BBC Health Documentary Series—Alternative Therapies – Hypnotherapy

December 26, 2011

BBC has a health documentary series on alternative therapies. Below are YouTube segments, which make up the episode on hypnotherapy, which first aired on 3/17/08. You can read about the episode here.  (If you click on all of the videos except the first, you will get a message that says, “Embedding disabled by request: Watch on YouTube.” If you click on “Watch on YouTube,” it will take you to the link.)

Host Dr. Kathy Sykes explores hypnosis with healthy skepticism, yet an open mind. She begins her journey in the audience of a hypnosis stage show (cringe, cringe). She then observes a smoking cessation session, and a group weight-loss information session. Next she interviews an expert doing a study on hypnosis and suggestion. She then interviews a doctor who successfully uses hypnosis for patients with Irritable Bowel Syndrome, and then witnesses a dental patient getting her two front teeth extracted for implants, relying solely on hypnosis for analgesia. She then interviews an expert on hypnosis for pain management. He is conducting a study that shows a difference in the areas of the brain that light up when using hypnosis for analgesia and the placebo effect for analgesia.

She concludes, “It has been a long journey, but at the end of it, I’ve seen two powerful examples where hypnotherapy may have a place in medicine.”  Fairly early in the episode it shows her having her own hypnosis session—not for any particular goal. She enjoyed it but also admitted that she has a hard time letting go to fully experience it. At the end of the show, she schedules another session, feeling that she could be more playful about it after all she has learned—and without the cameras in tow.

I enjoyed the episode, though I couldn’t help but have a running commentary in my mind as I watched it. It shows some common techniques that I take issue with, and I also found myself desperately wanting to provide insight for some of the questions that were raised.

All in all, I recommend it for anyone curious about hypnosis.

Using Guided Imagery To Overcome Creative Blocks, Part 10

December 25, 2011

On 10/2/11, I delivered a 90-minute presentation at Imagery International’s annual conference. My topic was Using Guided Imagery To Overcome Creative Blocks. In it, I mapped eight stages of Joseph Campbell’s Hero’s Journey onto the creative process. To illustrate the eight stages, I shared a tale from The Odyssey, I discussed how each stage relates to the creative process, and for each stage I shared questions for reflection, and explained one or two imagery techniques that I find helpful. I will post notes from my presentation in parts here. Click here for the series of entries.

*     *     *

Working with an image that reflects the stage of the Hero’s Journey that most speaks to you

This activity requires a large selection of images. You can pull images from magazines, or use a deck of cards that includes a variety of images, e.g., a Soul Card deck, a tarot deck, or an oracle deck.

Consider a creative project in which you are currently engaged. Choose an image that symbolically reflects which stage of the Hero’s Journey most speaks to where you are in your creative process.

After you have selected your image, respond by freewriting. You might consider the following prompts:

  • Describe the image.
  • What detail stands out when you first look at the image?
  • What is the first word or phrase that comes to mind when you first look at the image?
  • What is the core feeling you get from the image?
  • This image reflects the ______________________________ stage of the Hero’s Journey because….
  • This image is encouraging me to think about….
  • This image is reminding me that….
  • This image expresses my fear or hope that….
  • If this image could speak to me, it would say….
  • Does this image suggest a helpful action step?
  • Write a line of poetry, between 9 and 13 syllables long, that comes from your exploration of this image. (Adapted from Terry Gilmaster Ebinger’s dream work exercise.)

Using Guided Imagery To Overcome Creative Blocks, Part 9

December 25, 2011

On the grounds at Notre Dame de Namur University, Belmont, CA

On 10/2/11, I delivered a 90-minute presentation at Imagery International’s annual conference. My topic was Using Guided Imagery To Overcome Creative Blocks. In it, I mapped eight stages of Joseph Campbell’s Hero’s Journey onto the creative process. To illustrate the eight stages, I shared a tale from The Odyssey, I discussed how each stage relates to the creative process, and for each stage I shared questions for reflection, and explained one or two imagery techniques that I find helpful. I will post notes from my presentation in parts here. Click here for the series of entries.

*     *     *

Return and the Freedom To Live—Odysseus’ Story

It is the Phaeacian people who finally give Odysseus safe passage to Ithaca after he has lost his crew and everything he earned along the way. Together, he and his son slaughter Penelope’s suitors, and Odysseus reclaims his throne. We’re told he will live to a ripe old age and die happy.

For the artist, the Return and Freedom To Live means enjoying the gifts, integrating wisdom from the journey, freedom to embark again

When we complete a creative project, it’s natural to want to celebrate. Knowing that we will go on another creative journey, it’s worth also spending time reflecting. Here are some questions that can help you reflect on your journey.

Return and Freedom To Live: For Reflection:

  • What have you learned about yourself throughout this adventure?
  • Who have you become? Who did you have to be to successfully complete this journey?
  • What advice do you have for your future self who might struggle with a new project?

Return and Freedom To Live—Imagery Techniques:

  • Imagine meeting with your future self who will create again. Pass on to him or her the wisdom, strength, and confidence you have gained from this adventure.
  • Imagine expressing gratitude to your subconscious/inner creative spirit for helping you see your project through. This can be in the form of a conversation, a ritual, or celebration. Start second sessions with this.

So these are the stages of the Hero’s Journey as they apply to the creative process. It’s important to note may not happen in this order, but you will no doubt recognize them when they appear in your creative life.

We are all heroes!

Click here for Part 10—Exercise for exploring where you are in the stages of the Hero’s Journey

Additional Resources for Overcoming Creative Blocks & Cultivating Creativity

Audio:

The Creative Fire: Myths and Stories on the Cycles of Creativity by Clarissa Pinkola Estés. “This spoken-word masterpiece guides you through the dark labyrinths of the psyche in search of la chispa—the ember that is the elemental source of all creative work. Dr. Estés teaches about the hidden aspects of creativity, including the negative complexes that prey upon creative energy. The Creative Fire includes many special insights for people who create for a living: artists, writers, teachers, and others who must depend on their creative instincts every day.”

Julia Cameron: On the Creative Life. This is a free podcast interview offered by Sounds True. Julia Cameron is the author of the classic book, The Artist’s Way (listed below).

Books:

The Psychology of Creative Writing, edited by Scott Barry Kaufman and James C. Kaufman. See Ch. 14: “Writer’s Block and Blocked Writers: Using Natural Imagery to Enhance Creativity,” by Jerome L. Singer and Michael V. Barrios

 The Creativity Book: A Year’s Worth of Inspiration and Guidance by Eric Maisel, Ph.D.

Affirmations for Artists by Eric Maisel

The 12 Secrets of Highly Creative Women: A Portable Mentor by Gail McMeekin, L.I.C.S.W.

The Artist’s Way: A Spiritual Path to Higher Creativity by Julia Cameron

Internet:

Creativity Portal: Explore and Express Your Creativity. This site includes articles on creativity, artist interviews, project ideas, and writing prompts.

 Creativity for Life. Article categories include personal creativity, workplace creativity, and a creativity toolbox.

Renown creativity coach, Eric Maisel. Maisel’s site lists his many books for artists, writers, and creative people. It also includes links to his keynote addresses, lectures, and podcast, The Joy of Living Creatively: Tapping Your Innovation and Imagination.

Using Guided Imagery To Overcome Creative Blocks, Part 8

December 25, 2011

Marble sarcophagus lid with reclining couple, Roman, Severan period, ca. A.D. 220 Metropolitan Museum, NYC "While the man's head is carefully portrayed, his wife's head has been left unfinished, suggesting that he predeceased her, and no one added her portrait after she died.”

On 10/2/11, I delivered a 90-minute presentation at Imagery International’s annual conference. My topic was Using Guided Imagery To Overcome Creative Blocks. In it, I mapped eight stages of Joseph Campbell’s Hero’s Journey onto the creative process. To illustrate the eight stages, I shared a tale from The Odyssey, I discussed how each stage relates to the creative process, and for each stage I shared questions for reflection, and explained one or two imagery techniques that I find helpful. I will post notes from my presentation in parts here. Click here for the series of entries.

*     *     *

Refusal of the Return—Odysseus’ Story

Fairly early in his adventures, while lost at sea, Odysseus and his crew end up as guests of the wind god, Aiolos. As they are getting ready to leave his island, Aiolos bestows a great gift to Odysseus. He bottles all the winds in a sack except the west wind designed to carry them home. Odysseus stays awake for nine straight days, working the sail himself. When they finally see Ithaca on the horizon, he falls into a deep slumber. His men, not knowing what’s in the sack, assume it’s a great treasure and that Odysseus is planning to horde it for himself. They untie the sack, and all the winds escape, creating great storm, which blow them off course.

For the artist, the Refusal of the Return means the refusal to complete a project, or the refusal to get a completed project into the world

Mortality can be a great motivator for seeing a project through. I was deeply moved when I saw the unfinished sarcophagus lid at the Metropolitan Museum of art in NYC. (See photo above.) The caption below the sarcophagus reads, “While the man’s head is carefully portrayed, his wife’s head has been left unfinished, suggesting that he predeceased her, and no one added her portrait after she died.” That image comes to mind when realize that I’ve been neglecting an important creative project.

Here are some questions for you when you experience the refusal of the return, or that resistance to complete a project or get it out into the world.

Refusal of the Return—For Reflection:

  • What fears do you have about successfully completing this project?
  • How will your life be different when you complete this project?
  • How will this success force you to grow?
  • How might others react to the successful completion of this project?
  • What fears do you have about failing? What would the consequences be?
  • How might this project lead to a more successful next project?

Refusal of the Return—Imagery Techniques:

  • Imagine a conversation with your 95-year old self who gave up on his or her creative purpose, or a significant creative project.
  • Imagine a conversation with your 95-year old self who fulfilled his or her creative purpose, or a significant creative project.

Click here for Part 9—Return and Freedom to Live

Using Guided Imagery To Overcome Creative Blocks, Part 7

December 25, 2011

Road of Trials and Temptations: Soul Collage Card by Susan Gold

On 10/2/11, I delivered a 90-minute presentation at Imagery International’s annual conference. My topic was Using Guided Imagery To Overcome Creative Blocks. In it, I mapped eight stages of Joseph Campbell’s Hero’s Journey onto the creative process. To illustrate the eight stages, I shared a tale from The Odyssey, I discussed how each stage relates to the creative process, and for each stage I shared questions for reflection, and explained one or two imagery techniques that I find helpful. I will post notes from my presentation in parts here. Click here for the series of entries.

*     *     *

The Road of Trials and Temptations—Odysseus’ Story

We have already seen some of the tests and trials that Odysseus faces. There are many more. On one of the islands they visit, some of his men get addicted to the Lotus plant and lose their memories and desire to get home. He must find the narrow margin of safety between Scylla and Charybdis—a life-threatening whirlpool, and a terrible sea monster. Odysseus perseveres.

Odysseus is waylaid from his quest to get home by two beautiful immortals. He spends a year as the sorceress Circe’s lover. Her charms seem to be as magical as the lotus plant and all of Odysseus’ crew enjoy the continual feasting and creature comforts. One of Odysseus’ men must finally ask him to shake off the trance and think of home.

The goddess Calypso keeps Odysseus as her lover for seven years. He refuses her offer of immortality; he still wants to get back home, but it is Athena that must finally intervene arrange for his escape.

Consider this fact. It takes Odysseus ten years to get from Troy back to Ithaca. Eight of those years are spent in the arms of beautiful immortal women—perhaps a comforting thought for an artist who says they haven’t worked in years.

For the artist, The Road of Trials and Temptations means procrastination, perfectionism, discovering skills that need to be developed, guarding against critical comments from others, the temptation to be lured away from creative work

Here are questions for you when you find yourself on the road of trials and temptations.

The Road of Trials and Temptations—For Reflection:

  • What internal and external challenges might stand in the way of moving forward?
  • What temptations might lure you from your creative work?
  • What thoughts, feelings, and behaviors will support you in meeting the challenges?

The Road of Trials and Temptations—Imagery Techniques:

  • Imagine symbolically releasing or letting go of the thoughts, feelings, behaviors, and temptations that stand in the way. You can send them into a fast moving river, or let the ocean waves take them far out to sea. They can be bubbles or balloons that you pop, or baseballs that you crack out of the ballpark.
  • Imagine engaging in the thoughts, feelings, and behaviors that will support you. Imagine the rewards of success.

Click here for Part 8—Refusal of the Return

Using Guided Imagery To Overcome Creative Blocks, Part 6

December 25, 2011

Sandbox of the Subconscious: ongoing project in my living room

On 10/2/11, I delivered a 90-minute presentation at Imagery International’s annual conference. My topic was Using Guided Imagery To Overcome Creative Blocks. In it, I mapped eight stages of Joseph Campbell’s Hero’s Journey onto the creative process. To illustrate the eight stages, I shared a tale from The Odyssey, I discussed how each stage relates to the creative process, and for each stage I shared questions for reflection, and explained one or two imagery techniques that I find helpful. I will post notes from my presentation in parts here. Click here for the series of entries.

*     *     *

The Belly of the Whale—Odysseus’ Story

A classic belly of the whale story is when Odysseus travels to the realm of the Underworld to confer with the one person who can tell him the route to get home.

It takes courage to enter the land of the dead. There he finds his mother who has committed suicide because she could no longer bear not knowing what happened to her son. He is also greeted by the hero, Agamemnon, who made it home from Troy only to be murdered by his wife’s lover. Additionally, he learns that Penelope has throngs of suitors who are not only trying to usurp his bed, but his entire life. You can imagine the new sense of urgency Odysseus has to return home.

For the artist, The Belly of the Whale means facing the inner critic and the shadow of the psyche

This is one of the most difficult stages for the artist. Here is where the artist encounters the voice of the inner critic and may be challenged to speak his or her truth. Getting through this stage takes courage: the willingness to transform, and to face the shadow of the psyche.

Here are some questions when you find yourself in the Belly of the Whale.

The Belly of the Whale: For Reflection:

  • What is at stake if you turn back now? What will you regret?
  • What is to be gained, how will you grow if you move forward?
  • What must you give up or sacrifice to move forward?
  • Is there a benefit to staying stuck?
  • What is the voice of resistance or fear saying? What is the voice of commitment saying?
  • Who has been destructive to your creative spirit? Consider family, friends, teachers, and coworkers. What negative messages have you received from them about your ability to create?
  • What past experiences might be contributing to this resistance or fear?

The Belly of the Whale—Imagery Techniques:

  • Imagine the aspect of you that is feeling resistance in mediation with the aspect of you that is motivated to create. You might imagine your wisest self as the mediator.
  • Regression with an experienced practitioner is another powerful technique for unearthing and healing the root of a creative block.
  • Imagine comforting, supporting, and empowering the inner child whose creative spirit has been stifled or attacked. Imagine giving him or her a creativity care package filled with tools, and materials for creative play. Explore the care package together.

Click here for Part 7—Road of Trials and Temptations

Using Guided Imagery To Overcome Creative Blocks, Part 5

December 25, 2011

Knight of Gems: Soul Collage Card by Susan Gold

On 10/2/11, I delivered a 90-minute presentation at Imagery International’s annual conference. My topic was Using Guided Imagery To Overcome Creative Blocks. In it, I mapped eight stages of Joseph Campbell’s Hero’s Journey onto the creative process. To illustrate the eight stages, I shared a tale from The Odyssey, I discussed how each stage relates to the creative process, and for each stage I shared questions for reflection, and explained one or two imagery techniques that I find helpful. I will post notes from my presentation in parts here. Click here for the series of entries.

*     *     *

The Crossing of the First Threshold—Odysseus’ Story

One of Odysseus’s early adventures is to the land of the Cyclops. He is appalled to discover that this band of giants do not follow the sacred Greek custom of hospitality. Not only does the Cyclops, Polyphemus, refuse to offer refuge, but he traps Odysseus and his men, and begins to kill and eat them. Odysseus has crossed a threshold into a dark world without rules. He uses his wit to survive.

For the artist, The Crossing of the First Threshold means taking those first steps: starting creative work, going into the unknown where there are no rules

Here are questions that you might consider when you find yourself when you cross the first threshold of a creative project.

The Crossing of the First Threshold: For Reflection:

  • Where is the best physical place for you to do your creative work?
  • Make a list of ways you can better protect your creative space and time.
  • Look in your closet and at your accessories. Are there items that help cultivate your creative spirit?
  • If the pressure to be perfect were lifted, what would you create, or how would your project be different?
  • What might you create if you knew that no one would ever see your work?

The Crossing of the First Threshold—Imagery Techniques:

  • Design your own inner creativity studio that inspires the mindset you need. Start with an empty room or space. Paint the walls, put in windows and a view, decide what the floor should be like. Expand the room to make it spacious, or shrink it to make it cozy. Furnish it and give it all the tools, supplies, and inspiration you need to create.
  • Cross the threshold into the landscape of this project. Notice the terrain and the weather. Are there any symbolic obstacles? Resources?

Click here for Part 6—The Belly of the Whale


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