On 10/2/11, I delivered a 90-minute presentation at Imagery International’s annual conference. My topic was Using Guided Imagery To Overcome Creative Blocks. In it, I mapped eight stages of Joseph Campbell’s Hero’s Journey onto the creative process. To illustrate the eight stages, I shared a tale from The Odyssey, I discussed how each stage relates to the creative process, and for each stage I shared questions for reflection, and explained a couple guided imagery techniques that I find helpful. Click here for the series of entries that make up the presentation.
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The Call to Adventure—Odysseus’ Story
In his youth, Odysseus is a suitor to Helen of Troy—the most beautiful woman in the world. Helen’s father is in a bind, afraid that his daughter’s flock of suitors will riot if he picks one to be her husband. In an attempt to gain favor with Helen’s father, Odysseus gets all the men to agree that they will show life-long support of Helen’s husband, no matter who is chosen.
So much for siding with Dad. Menelaus is the lucky winner, and Odysseus moves on with his life. He doesn’t do too badly. He marries Helen’s cousin Penelope, who may not be the most beautiful woman in the world, but she does have wit and cleverness to match his own. He becomes king of Ithaca, and he and Penelope have a baby son, Telemachus. Life is good….that is, until his Greek neighbors show up with news that Menelaus needs them to make good on their promise. Helen has been taken by the Trojan, Paris. And so the first stage: The Call to Adventure.
For the artist, the Call to Adventure is experienced as a creative impulse—the desire to create, an idea, a spark
When artists are ready to receive the Call to Adventure, their eyes, and ears—all of their senses are open. They become curious and observant and see potential material in the smallest of daily experiences. This is a particular kind of mindfulness that often only comes when we feel a healthy sense of balance in our lives. A self-care practice is crucial to being receptive to creative impulse.
Creative play is also important. This means making time to be creative without being attached to the outcome, and perhaps, now and then, exploring a different medium than we are used to. There are many sites and books that offer writing prompts. Soul Collage, is an easy, and meaningful way for non-visual artists to play with imagery, and filmmaker, Miranda July, and artist Harrell Fleetch offer terrific creative exercises on their website Learning to Love You More and in their book of the same title. See Kasia Cieplak-Mayr von Baldegg’s 10/7/11 article in The Atlantic: “Creativity Is Hustle: Make Something Every Day.” In it, she interviews animator Mike Winkelman about his practice of completing an art project a day.
I highly recommend carrying a small notebook to capture creative sparks as they come. I keep one in my purse. It’s messy and includes grocery lists, to do lists, and phone messages in addition to dream fragments, interesting dialogue I hear, character sketches, etc. Including mundane material in my notebook makes it less intimidating for me to explore creative ideas.
The Call to Adventure – For Reflection:
- How does creative inspiration typically come to you?
- How do you invite creative impulses?
- In what ways do you, or might you, engage in creative play?
The Call to Adventure – Imagery Techniques:
- See my Hypnosis for Writers workshop series for ideas.
- Imagine a blank piece of paper, a canvas, or screen. Invite a flow of images or words to emerge that might spark a new creative project. Don’t resist or force what comes. Remain receptive and curious. Music can be helpful for evoking images.










